Personal travel impressions in stories and pictures from Semana Santa Popayán, Popayán, Colombia. Click on the pictures to enlarge, send as a free e-card, or download for personal use. You can locate Semana Santa Popayán and navigate the world using Google Earth
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N 2° 26.026 W 76° 36.678
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Pueblito Chairama ruins
San Pedro Cemetery Medellín
Parque Nacional Tayrona
Santa Fé de Antioquia
Plaza Botero
Puente de Occidente
Sucre Falls
Plaza de Cisneros
El Peñón de Guatapé
Museo del Oro
Popayán
Cartagena de Indias
Archeological Park San Agustín
Castillo San Felipe de Barajas
La Candelaria
Alto Aguacate tombs
Colombian people
San Agustín Archeological sites
Taganga
Alto de Segovia tombs
Salt Cathedral of Zipaquirá
San Andrés de Pisimbalá church
Totumo Volcano
Visited: April 2009
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Trying to get from Cali to Popayán was difficult: a crowd was patiently waiting to get on a bus to the White City. And when we finally approached Popayán, I noticed that there was a lot of traffic trying to get into the city. It was Maundy Thursday, Jueves Santo, and the Semana Santa or Easter celebrations that had been going on since almost a week already were approaching their culmination. When later on I walked around the city streets, I noticed how they were full of people - a sharp contrast with the quiet town I had visited a few months before. Especially close to the churches, many people were gathering around street markets selling all kinds of handicrafts from all over Colombia. Unlike normal days, churches were open for visitors.
The churches were obviously filled with worshippers, but also with statues mounted on platforms that would be used during the Semana Santa processions in the evening. The Semana Santa celebrations of Popayán originated in 1556 (just two decades after the foundation of the White City) and have been held every single year since then. Originally, images taken by the Spanish conquistadores were used, but nowadays, many images are from Ecuador while only some are from Popayán. From Monday to Saturday, processions are held, each different one from the other. They all commemorate the last days of Jesus Christ, culminating in the celebration of the crucifixion on Viernes Santo or Good Friday.
That evening, we were late for the procession, and when we arrived in the city centre, the streets were already filled with people. We quickly walked ahead of the procession by taking some backstreets, and ended up having a pretty good view close to the San Agustín church. The procession is a complicated celebration, including various figures. First, people cleaning the streets, and then a marching military band playing loud rhythmic music, followed by many platforms carrying religious images depicting scenes of the last day of Jesus. Each image of Jesus or the Virgin are preceded by sahumadoras, young, and often beautiful girls between 17 and 21 years old who carry a sahumerio in a bed of flowers: a kind of incense to purify the air. The long procession is accompanied on both sides of the street by catholics carrying candles, giving it all a fairy-like atmosphere. The procession stops at regular intervals, mostly to give the cargueros, the persons actually carrying the heavy loads of the platform and elaborate statues surrounded by candles, on their backs. Some friendly payaneses allowed me to stand on their chair so I could have a better view. The next day, we returned for the Viernes Santo or Good Friday processions, and made sure we were close to the Santo Domingo church several hours before the procession would start. The streets were already filling up with people. The procession was even more impressive than the day before, perhaps also because it carried images of Death and Jesus on the cross. Standing close to the procession, our ears were deafened by the military bands, but the views were fantastic. Whenever the procession halted, the silence was sometimes tangible. When, after a pause, the cargueros lifted their heavy load on their shoulders again, respect for them grew in the audience. Some of the images were inside a glass cage, but most were just carried around unprotected on their platforms. They appeared beautiful, with intricate cloth lying over their roofs, and real candles lighting up the platform. In between the passing pasos or platforms with images, we saw and heard choirs and orchestras, complete with rollable pianos, pass. Watching the entire procession pass takes up several hours, and is concluded by soldiers marching by - with guns on their shoulders and candles in their hands. After that, the streets behind the procession fill up with excited people. We returned home, passing the procession at another point, realizing that for the people actually in the procession, it took much more than a few hours since the procession moves ahead at such a slow pace. Our senses were more than satisfied with visual and sound impressions.
